Thursday, November 19, 2009
Wednesday, November 18, 2009
Here's the plot: Beatrice Shakespeare Smith has lived in the Theatre Illuminata for her entire life. The Theatre is home to every single play ever written--and all the characters. Beatrice, who is an orphan that was dropped off at the Theatre (little subplot about "who's my mother" is worked in) is an annoying troublemaker and about to be kicked out unless she proves her worth to the theater. So she tries to. There also may be two guys she's interested in, both of whom get involved in her plot to save her life in the theater. Also, she has four annoying fairy friends. Trouble ensues.
Alright, obviously there's more to the plot but I just didn't like the story. Beatrice's motives and decisions changed sooo quickly and without reason. Plus, she's annoying and honestly, sort of deserves to get kicked out of the Theatre. AND DON'T GET ME STARTED ON HER FAIRY FRIENDS. UGGGGGH. I have so many issues with them. And really, with most of the characters...some kept in their "character" while others adopted totally modern personalities. Annoying.
Tuesday, November 17, 2009
The last book is Splendor. Can we give whoever designed the covers of this entire series major props? GORGEOUS. The back cover has more of her dress, too.
Splendor wraps up Elizabeth, Carolina, Penelope and Diana's stories, with varying degrees of success. The girls' lives have each reached a breaking point, where lies will be discovered and truth revealed. And this book, like the others, has major drama: druggings, adultery, European royalty, interrupted weddings, etc. Godbersen does know how to write an entertaining story.
Let's talk about the ending. I'm happy that Elizabeth and Teddy end up together (finally). Carolina seemed to be more likable in this book, but it took her freakin' long enough to finally start providing for her sister. And is it bad I wanted her to end up with the slimy clerk? Ah well, didn't happen. Penelope sort of got what she deserved--as did Henry. I was never a huge fan of Henry and Diana, mainly because Henry was so spineless (and of course, the whole moral issue of adultery). Diana's ending, though, wasn't satisfactory. Diana runs off to Paris--loves many men ("who all loved differently")--and is an artist? Hmmm.
Overall, the ending felt rushed. I didn't need specific endings for people and the vague descriptions weren't satisfactory (eg., "Carolina and Claire threw lavish parties." Really? Is that all there is to life? Throwing amazing parties?). Yeah, definitely a bleh ending.
So The Luxe series is over but it was fun, fluff reading while it lasted. And the book covers are amazing.
Sunday, November 8, 2009
NANCY PEARL, YOU BROKE MY HEART. I love your picks. Please tell me what to read. Waaah.
So there was a big controversy over the original cover. I'm glad they went with the cover they did. Although I'm not sure what those blue things are she's holding. Seriously, that's bugging me. What are they?
Alright, so the narrator, Micah, is unreliable--she tells you upfront she's a liar--but she's going to tell the truth. Riiighhht. I really can't go into detail about the book, else I'd ruin it for you. But let's just say there's a few big twists--so big that my jaw literally dropped open, twice in a row. But I love when the twists actually make sense and real hidden truths in the early part of the book.
I did like it; this unreliable narrator treated me better than the last one. I thought the ending was a bit rushed but overall, definitely a memorable YA read.
Monday, November 2, 2009
After months of waiting, I read Diana Peterfreund's Rampant. My final thought? Eh. Didn't hate it, didn't love it. Also, for some reason, I didn't expect it to be set in modern day, so that threw me off a bit. And the unicorn aspect was different and interesting....but still, just an "eh" overall.
I finished The Manual of Detection by Jedediah Berry last night. My overwhelming thought on the book? Postmodern.
Here's the Amazon description of it:
"Charles Unwin, a clerk who's toiled for years for the Pinkerton-like Agency, has meticulously catalogued the legendary cases of sleuth Travis Sivart. When Sivart disappears, Unwin, who's inexplicably promoted to the rank of detective, goes in search of him. While exploring the upper reaches of the Agency's labyrinthine headquarters, the paper pusher stumbles on a corpse. Aided by a narcoleptic assistant, he enters a surreal landscape where all the alarm clocks have been stolen. In the course of his inquiries, Unwin is shattered to realize that some of Sivart's greatest triumphs were empty ones, that his hero didn't always come up with the correct solution."
I just didn't have the patience to get into it. Most of the time I was skimming, saying "yeah, yeah, very postmodern, I don't understand what's happen, blah blah." So clearly my attitude didn't really help in my reading and interpretation of the work.
However, Pearl of Pearl's Picks recommend this book and she hardly ever steers me wrong. Ah well.